Music of the Week — November 5, 2006

Lanterna: Desert Ocean

I have fallen perhaps fatally far behind in this feature. I’m not sure I can keep it up as a weekly—perhaps it will become bi-weekly. I’ll make the reviews, or most of them, briefer, for a while and see if I can maintain that.

The fact that I know this album at all is an example of the benefit of giving away a little music. eMusic offers a free daily download to subscribers, and while many of them aren’t to my taste, some have been great discoveries. I think “Luminous,” the first track here was one, and although I’d never so much as heard the name of the band before, that one track sufficed to make me get the whole album.

This might best be described as ambient rock—all guitar-oriented instrumentals, except for occasional wordless background-style vocals, and much more concerned with mood and atmosphere than making a technical impression. “Luminous” and a couple of the other tracks are more than slightly reminiscent of the guitar sound on U2’s Unforgettable Fire and Joshua Tree—you might think you were listening to U2 minus Bono (which is good, if you ask me). Other tracks remind me faintly of ‘70s country-rock such as Pure Prairie League, maybe Poco, maybe some of Neil Young’s stuff (e.g. Harvest). It’s not a sound I was wild about when it was new, but now, and in this context, it carries a nostalgic tinge that makes it enjoyable. “Surf” is not, as I expected, an exercise in the reverb-heavy surf guitar sound, but rather a building and rolling sound that actually does have some kind of connection with its namesake. “48th and 8th” has a bit of ’50s Santo and Johnny (“Sleepwalk”) or Floyd Cramer (“Last Date”) vibe, a very wistful sad-love-story-soundtrack sort of thing.

Overall there’s an open, faintly mysterious atmosphere, befitting the title. It’s a perfect album to put on when you want something that touches you without making great demands on your attention or emotions. I keep playing it on the way home from work. Unlike the recently reviewed NEU!, for which the claim is sometimes made, it’s great music for driving.

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