Weekend Music
First, Dylan vs. Dylan. An acoustic performance of "Visions of Johanna" from 1966:
And now a relatively recent performance, in more or less his current style:
To my taste the second one has its merits, but just isn't on the same plane as the first one.
This post actually started out because the discussion of Dylan's voice had me thinking about the evolution of his style. I was listening to the Telltale Signs collection yesterday. It's one of the clean-out-the-attic collections of previously unreleased material, and I was thinking what a really fine song "Mississippi" is. So I thought I might post it, and looked for it on YouTube. Neither it, nor the album version, from "Love and Theft", is there. The only version I found doesn't seem to be either of those, or the second alternate from Telltale Signs. It must be the one from the bonus disk of the DeLuxe edition, which I did not see fit to purchase. Of the four, my favorite is the first alternate, that is, the first version on Signs. This one sounds like they were still working on it, but the only other one on YouTube is a live one with terrible sound.
So while I was looking for this, I ran across a performance of the song by the Dixie Chicks. Now I'll admit up front that although I've heard almost none of their work, I am a bit prejudiced against the Dixie Chicks because they're generally described as country-pop, or pop-country, which, either way, is down with there with smooth jazz, and well below metal, at the bottom of my list of preferred musical styles. Still, I was willing to give them the benefit of the doubt. But this strikes me as rather awful. The best I can say about it is that it does credit to their taste that they picked it.
Apparently the Chicks were following Sheryl Crow's arrangement. I assume Crow was first, because she got the song straight from Dylan. Pretty much the same arrangement, at least for the first minute or so, when I bailed.
Perhaps the problem is that when you detach the song from Dylan and the inimitable force of his personality and vocal style, there really isn't that much left musically. So they felt obliged to try to flesh it out with that fiddle riff etc.
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