52 Guitars: Week 11

John Williams. 

Serious classical guitar aficionados may think this piece overexposed, but I'm going to bet that most readers of this blog haven't heard it that often. And it's very beautiful, as well as technically impressive: "Recuerdos de la Alhambra" ("Memories of the Alhambra"), by Francisco Tárrega.

 

I mentioned last week that I had once given away a cd of Christopher Parkening playing Vivaldi lute concertos (on guitar) because it seemed to lack something. A couple of these concertos, along with one or two for mandolin, were among the first classical music I ever came to love, and mentioning them made me want to hear them again. So here's Williams doing one. I like this performance better. Thinking back on it, I believe part of the problem with the Parkening recording was that the orchestra was too big and lush. Williams plays here with a very small ensemble, and it works better with the guitar. This video is visually enjoyable, too, for the setting. I believe it's from a dvd called The Seville Concert. Instrumentally the concerto is not a great showpiece, but it's very enjoyable. And deservedly popular: you may well recognize the music even if you don't recognize the title. 

 

Want to hear that concerto on an actual lute? It sounds a bit smaller and brighter than the guitar, with a distinctive resonance. This performance seems rather…caffeinated, and  almost abrasive in comparison to the one above, but I like it, too. 

 


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5 responses to “52 Guitars: Week 11”

  1. Robert Gotcher

    I recently tried seeing if I could do the non-thumb fingering on Alhanbra after listening to Chet Atkins playing it on youtube. It was the first time I had seen the fingers. There is NO way I could get even up to 1/8 speed. My fingers don’t work like that, I guess.
    This is why I never fulfilled my dream to be a rock star.

  2. I guess it wasn’t your destiny, but not being able to move your fingers that fast would not have stopped you from being a rock star. 🙂 I think it would take two rock guitarists to play this. You could do the tremolo part with a pick, more or less. But then you’d need at least one more hand for the other part.

  3. Robert Gotcher

    I would want to be a Steve Howe type rock star, not just some schlep that played for Paul Revere and the Raiders.
    Or, if I could only do that run at the beginning of the Monkees’ Valerie.

  4. Robert Gotcher

    I see from Wikipedia that I misspelled it: Valleri. The guitar solo was by a session musician named Louie Shelton.

  5. I don’t remember that. Have to listen. Maybe before Easter.

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