52 Guitars

  • 52 Guitars: Week 42

    Daniel Lanois Most of my entries in this series have emphasized technical brilliance, though not, I hope, empty brilliance: I haven't included anyone who doesn't have something interesting to say musically. But there's a place for people who don't dazzle you with speed, and yet have the ability to move you. Daniel Lanois is one…

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  • 52 Guitars: Week 41

    Doc Watson I'm pressed for time today, but I don't want to put this off, so I won't say much. You already know who Doc Watson was, right? If not, you can read about him here. I'll confine my remarks to repeating what Dylan said about him: that his playing was like water flowing from…

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  • 52 Guitars: Week 40

    Chet Atkins This is for Robert Gotcher, who asked if I was ever going to feature Chet Atkins. Actually I wasn't planning to. I know Atkins was an extremely good player, but the kind of music he played has never been all that appealing to me. And I have to admit I was prejudiced against…

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  • 52 Guitars: Week 39

    Ralph Towner I don't think I had even heard Ralph Towner's name when I saw Blue Sun in a record store sometime back in the 1980s and bought it on the strength of the cover art. I don't know how well you can make out the photograph that occupies the center of it, but it's a…

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  • 52 Guitars: Week 38

    Jim Thomas Who? Well, allow me to introduce you to The Mermen. Don't be too quick to turn up the sound.   They're an instrumental trio who began around 1990 as a sort of neo-surf band, but they've gone far afield from that, though you can still hear some of it in their sound, which…

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  • 52 Guitars: Week 37

    Albert King Here’s the third of the Three Kings. Albert is maybe the least striking of the three: not as sophisticated as B.B., not as fiery as Freddy. But just as satisfying, and pretty much perfect as a representative of pure straight-up blues. “Born Under a Bad Sign” contains one of the immortal complaints of…

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  • 52 Guitars: Week 36

    Freddie King Of all the black blues players from whom the English and other young white kids of the 1960s learned, Freddie King is probably the one who will strike a new listener as sounding more like, for instance, Eric Clapton, though the influence is of course the other way around. He has a loud…

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  • 52 Guitars: Week 35

    B.B. King It's time for the Three Kings: Albert, B.B., and Freddy. B.B. is by far the most famous outside the blues world, but that's not why I'm featuring him first. It's because it only took a few minutes for me to find three good YouTube clips for him, and I need a bit longer…

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  • 52 Guitars: Week 34

    Bill Frisell Like his contemporary Pat Metheny, Frisell has done a huge amount of recording. He also shows the influence of rock on their generation of jazz players (they're both in their early 60s). Unlike Metheny, though (as far as I know), Frisell has often taken to the noisy effects developed by rock guitarists. I…

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  • 52 Guitars: Week 33

    Pat Metheny I've been thinking that I should include some more jazz guitarists, because there are certainly plenty of them who are very impressive musicians. But I really don't have a lot of acquaintance with their work, which is because I don't listen to jazz guitar all that much, which is because I don't really…

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