52 Movies
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This series has so far had a definite tilt toward the Serious or Very Serious Film. I guess the lightest one up until now was my Marx Brothers contribution. Well, this week I'm moving the needle a bit further in that direction. Napoleon Dynamite could reasonably be described as pure fluff. So could a Marx Brothers
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Katrine Myrdal’s (Juliane Köhler) life is about as close to perfect as lives get. She lives in Norway in a lovely house on a cliff overlooking a fiord in a beautiful sylvan setting with her loving husband, her daughter, granddaughter and her dear mother (Liv Ullmann). She is happy in her home and successful in
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And the book says: "We may be through with the past, but the past is not through with us." ** When first I saw Paul Thomas Anderson's Magnolia I left the theatre in a state of befuddlement that hardened over the course of a few reflective weeks into antagonism. Here, I decided, was a movie
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This 1999 Belgian movie about St. Damien of Molokai has some big names in the cast: Peter O'Toole, Leo McKern, Derek Jacobi, Kate Ceberano, Kris Kristofferson, Sam Neill and of course, Faramir (aka David Wenham). I haven't seen the movie in a while, so I just looked at the trailer. That alone has the
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I recently rewatched this 2007 film when I was in the mood one night for some sort of mystery or thriller and didn’t have anything new at hand. I don’t have the internet at home, and it was a bit late for a library or video store run. Looking through my small DVD collection, I
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I saw this movie in uptown New York when it first came out in 1969, with my mother and a friend of hers. For weeks before I went to see it, our shop girls had been doing impersonations of Newman and Redford’s funniest lines in the movie. Even so, it did not disappoint, and afterwards
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(Since there's nothing else on hand for this week, I'm re-posting this, slightly updated, from October 2007.) When I decided to re-acquaint myself with the Bergman films I had seen and loved many years ago, and to see those I hadn’t, this was my first step, and as it turned out a very good place to begin.
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The effect art can have on one’s psyche is astounding. As I began to watch the Merchant/Ivory film Howards End last night, a film I have seen many times before, I found myself overwhelmed by memories and feelings. Don’t get me wrong, I was not sobbing my way through the opening scenes, but so many
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I don’t see many contemporary comedies, and the reason is that when I do I usually don’t care much for them. I’ve occasionally wondered if this indicates some deficiency in me, or a development in the direction of Humorless Old Man. A great deal of contemporary humor seems to be more or less on the