Film

  • John Darnielle, as you may know, is the principal in The Mountain Goats. In effect, he is the mountain goat, as the band seems to be (or at least to have been for some time), essentially a one-man project consisting of Darnielle and various accompanists. He's a brilliant (and astonishingly prolific) songwriter, and the great

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  • Kurosawa’s Ran

    I finished Kristin Lavransdatter last week and have a half-written post about it, but have had unexpected demands on my time this week and haven't been able to finish it. In the meantime, just a quick note about this film. What a magnificent epic! I really didn't know what to expect. I only knew that it's 

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  • About Endlessness

    That's in italics because it's the name of the movie. I read this very intriguing review this morning, and may even go so far as to check local theaters to see if it shows here, which is probably unlikely. In 75 concise minutes (as long as any movie needs to be), About Endlessness is completely

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  • Ozu: Late Spring

    As I expected, I liked it more this time. Such a simple story: a widower and his daughter, who's getting on into her twenties. He wants her to get married–or does he? She doesn't want to get married–or does she? The resolution of the situation is fairly straightforward, and deeply poignant.  Knowing that the film

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  • I very much liked the two Ozu films I've seen, Late Spring and Tokyo Story, in spite of some difficulty in adjusting to the mannerisms, especially the vocal mannerisms, of a language and culture so different from mine. As I said when writing about Late Spring back in 2011, it's a difficulty I've had with other Japanese

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  • The Gentlemen

    I can't remember whether the previous Guy Ritchie film I saw was Lock, Stock, and Two Smoking Barrels or Snatch. I do remember that it was very cleverly plotted, well-acted, quick-witted and quick-moving, and at least half-funny in its depiction of the British underworld. The Gentlemen is very much the same, and I enjoyed it. But there

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  • The Vast of Night

    This is a fairly low-budget sci-fi movie which as far as I know is available only on Amazon. Set in the late '50s in a small town in New Mexico, it's presented as an episode of a television show modeled on The Twilight Zone, complete with an introduction in Rod Serling's voice and prose style. I

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  • I really enjoyed it this time. (See this post from a week and a half ago for background.) It's been over ten years since my first viewing of it. Wondering now about my mostly negative reaction then, I vaguely recall that we (my wife and I) were watching it at night and I was sleepy

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  • No doubt avid readers of this blog will recall that eleven years ago I wrote about being disappointed in the Sergio Leone westerns ("I Have Failed to Become A Sergio Leone Fan"). The topic came up in the recent discussion about Once Upon A Time In Hollywood, and I started thinking I might give Leone another

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  • This is not the sort of movie that I usually go out of my way to see. As far as I can remember I don't think I've ever seen an entire Quentin Tarentino film, just parts of Pulp Fiction and Kill Bill, more of the former than the latter. Nothing that I've read about his work has

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