Music

  • 52 Guitars: Week 15

    Michael Hedges Here is the third (not in any significant order) of the Windham Hill guitarists who attracted so much attention (well, relatively speaking) in the late '70s and early '80s. I can't say he is my favorite, but he's pretty spectacular from the technical point of view. Breakfast in the Field and Aerial Boundaries…

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  • 52 Guitars: Week 14

    William Ackerman The founder of Windham Hill and one of its best-known artists, Ackerman's guitar style is less complex than Alex de Grassi's (see guitarist #13 from last week), or Michael Hedges's (next week). But he has, at least on his early albums, a gift for sweet, wistful, memorable melodies. Both these pieces are from his…

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  • 52 Guitars: Week 13

    Alex de Grassi. The term "New Age music" has long since become somewhat pejorative outside of the quasi-religious circles which supplied its name. But there was some very good music that more or less fit that category. There were three guitarists who appeared on the Windham Hill label (more or less synonymous with New Age) …

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  • 52 Guitars: Week 12

    Paul Galbraith and his amazing 8-string guitar, nicknamed "the Brahms guitar," because Galbraith developed the idea in order to be able to transcribe and play a Brahms piano work more effectively. I wasn't able to find the Brahms piece on YouTube, but here is a beautiful Bach prelude. And the video, which seems to have…

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  • 52 Guitars: Week 11

    John Williams.  Serious classical guitar aficionados may think this piece overexposed, but I'm going to bet that most readers of this blog haven't heard it that often. And it's very beautiful, as well as technically impressive: "Recuerdos de la Alhambra" ("Memories of the Alhambra"), by Francisco Tárrega.   I mentioned last week that I had once…

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  • 52 Guitars: Week 10

    When I set out on this series, I didn't think about the quesiton of Lent. I generally either give up music entirely for Lent or cut way back on it, and this year I'm giving up pop music entirely. But it will mess up my plan if I shut this down for six weeks. So…

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  • 52 Guitars: Week 9

    The renowned flamenco/jazz guitarist Paco de Lucia died this past week. I don't have much acquaintance with his music, but what I've heard has been pretty impressive. So, in memoriam:   I'm always struck by the sheer physical force of flamenco players (not that this is pure flamenco, exactly, but it's rooted in flamenco). Sometimes…

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  • Someone has created a fascinating visual depiction of the changes in the language of pop music since 1960 by graphing the occurrence of various words in the Billboard Top 100 songs from 1960 until the present. It's a slide show, including twenty or so words. Each rectangle represents a song, and darker colors represent greater…

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  • Speaking of The Beatles

    And speaking of the role of McCartney's bass playing in their music: in the course of reviewing all my old Sunday Night Journal pieces, I came across this review of Sgt. Pepper's Lonely Hearts Club Band, in which I made the following remark: The single most striking thing in my revisiting of the album was the…

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  • 52 Guitars: Week 8

    Week 8? Already? Yes, unless I missed a week. The obvious next person to feature is Jimmy Page. (For the less pop-music-obsessed: Clapton, Beck, and Page were all members of the Yardbirds, in succession except for a brief overlap of Beck and Page.) But I half-intended to skip him. Why? Because most of his best-known…

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