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Joe Satriani I'm pretty sure I read somewhere that Satriani was Steve Vai's teacher. I like Satriani better, to the extent that I know his work. His material just seems more appealing to me, more overall-musical. I reviewed his Flying in a Blue Dream album several years ago, and am still of more or less the
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I wanted to include this in last night's post about House of Cards but was in a rush and didn't have time to look for it. I love it, both musically and visually but especially musically. It's a great little trip-hop-ish piece, though I wish it were longer. UPDATE: Sorry, this is audio-only, apart from the
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If you haven't seen either or both of these, you've no doubt heard of them. They attracted a lot of attention because they represent something new in the TV world, shows produced by a company that made its name by renting DVDs to millions of people. Apparently they decided that producing their own "content," as
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Please pray for him.
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Steve Vai Well, for the first time in this series, and the last, I'm going to feature some music that I don't really like all that much. I know Steve Vai's work more by reputation than actual listening, and had decided he would be next. But when I started looking for clips to post, I
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Going at least back to the use of the eagle as a symbol for St. John the Evangelist, there has been an impulse to describe theologians and philosophers as soaring or climbing to heights inaccessible to the ordinary mind. Such imagery occurred to me often while I read this book, and I have to admit
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Seen on my way home from work. I've mentioned this church sign before. St. James would not have been pleased with the internet.
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The other day my wife was talking about a friend who posts on Facebook a constant stream of simple-minded political remarks, much of it simply asserting the other side to be very bad people. "She's a great person," I said–which she is–"but you just have to accept that when it comes to politics she's crazy,
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Allan Holdsworth Holdsworth follows Eric Johnson for one simple and musically irrelevant reason: I also heard him first on one of those thin floppy plastic recordings included in an issue of Guitar Player. Unlike Johnson, his recording didn't capture my attention. He seems to mainly work in jazz-rock fusion, which is not a genre that appeals
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This lengthy piece in The Atlantic by Ta-Nehisi Coates, "The Case for Reparations," is getting a good bit of attention, and deservedly so. Coates (I wonder how his first name is pronounced) is an intelligent and thoughtful man, and I think he makes a pretty strong moral case for reparations from the U.S. government to the
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Light On Dark Water 