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By “fans” I mean fanatics, or near-fanatics–the kind of person who likes the work enough to know all (or at least many) of the most highly-regarded recordings and can discuss in detail the strengths, weaknesses, and nuances of each. I am not such a person with reference to any piece of music. The number of
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Everybody knows, though many will perhaps have forgotten fairly quickly, of the insane episode involving the marketers of Bud Light and their decision to enlist a female impersonator named Dylan Mulvaney in its ad campaign, issuing a special can with his image on it, making an ad featuring him, and so forth. I'm not of
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This is the piece (and performance) which Craig mentioned in a comment on my recent post about the young composer Caroline Shaw. It's a setting of a few sentences from Psalm 84. I was not able to figure out exactly which translation she uses, but another performance includes the text as: How beloved is your
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Much of the current issue (Lent 2023) of The Lamp is devoted to Benedict XVI, to "the life and legacy of Joseph Ratzinger," which is to say that it looks not only at the pope but at the theologian and cardinal. Most of it is only available online to subscribers, but if you don't subscribe
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I went to hear the Mobile Symphony last weekend, after having argued with myself about whether it was worth the trouble or not. That's no aspersion on the orchestra; it's just that the main attraction was Brahms's Fourth, a work that I love and know pretty well, and I was not sure the pleasure of
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(The title is for you, Stu) For various logistical reasons we didn't go to the Easter Vigil at the cathedral this year, or even to our regular parish, but rather to a very small parish in a very small town a bit further away than our own. Well, why not be specific? It was St.
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A few things I meant to say about The Dry Wood: I'm not sure exactly what the title means. It's an allusion to Luke 23:31: For if in the green wood they do these things, what shall be done in the dry? That's the Douay-Rheims translation, which is the one Houselander uses, not surprisingly. I admit
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I thought I was reasonably familiar with Houselander’s work, but it came as a surprise to me to learn that she had written a novel: only this one, published in 1947. So when I saw an ad for an online seminar on the book, a joint effort from Dappled Things and the Collegium Institute, I
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One of the composers on that disk of miscellaneous, indeed wildly heterogenous, classical music that I mentioned last week is Bartok. All six of his string quartets are there, and, as I also mentioned, the way the MP3 files are named means that the movements of the quartets are scattered among other pieces of music.
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I’m not tough enough or self-denying enough to give up listening to music during Lent. But I do usually limit myself to classical music, and within that tend to favor works that are either explicitly religious (like Bach’s liturgical music) or at least of a contemplative and reflective cast. To that end I swapped the
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Light On Dark Water 