• Mare of Easttown

    There was some discussion of this HBO series in comments on this post, in which all agreed that the show is very good and that Kate Winslet's performance is extremely good. When I last commented there I hadn't seen all seven episodes, but I have now, and so can make my concurrence final. It's a

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  • More Rieff (3)

    A brief but telling few paragraphs on the situation of Christianity in the new culture: What, then, should churchmen do? The answer returns clearly: become, avowedly, therapists, administrating a therapeutic institution–under the justificatory mandate that Jesus himself was the first therapeutic. For the next culture needs therapeutic institutions. After quoting a writer of the time,

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  • I liked this symphony a lot when I was young, late teens and early twenties. But as far as I can remember I never heard it after that. There was no particular reason for that, though for various reasons with which I won't bore you I'm not sure I had a recording of it after

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  • The Queen, RIP

    I don't have to say which queen. I'm tempted to say, very unoriginally, that her death is the the end of an era. But it really isn't. The era had already ended, and she was one of the last remnants of it. Removing most of the power from the monarchy had the effect of emphasizing

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  • More Rieff (2)

    To end the spiritual impoverishment of Western culture, Jung recommends the following: that the rationalist suppression of myth and of other manifestations of the unconscious need mitigation, but not by a new theology or new dogmas; rather, by a therapeutic release of the myth components from the collective unconscious. The neurosis of modernity is defined

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  • Club 8 (self-titled)

    This is my latest find from the music I acquired years ago and never really listened to. The name led me to expect, well, club music. I'm not sure what I mean by that–something in the general direction of electronic dance music, I guess, with heavy beats and probably no great endowment of melody and

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  • "They might, he said, come out to Vienna."  That's from the Auden biography I'm reading. It's 1937 (I think) and "they" is Auden and Christopher Isherwood.  It always amuses me that the English seem generally to refer to any travel abroad as going "out." The direction doesn't matter: out to Canada, out to Australia. And

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  • More From Rieff (1)

    …the kind of man I see emerging, as our culture fades into the next, resembles the kind once called "spiritual"–because such a man desires to preserve the inherited morality freed from its hard external crust of institutional discipline. Yet a culture survives principally, I think, by the power of its institutions to bind and loose

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  • Eleanor Morton Is Funny

    Much of the time, anyway. She is a Scottish comedian whom I stumbled across on YouTube while looking for something else. I've watched a dozen or so of her videos and many of them made me laugh. So that makes her a successful comedian in my book. She can do English and American accents very

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  • Some months ago I picked up Humphrey Carpenter's biography of W.H. Auden from the discard shelf at the local library. That it was there is a sad state of affairs, and I almost made it sadder when, after a few months of seeing it on the shelf and leaving it alone, and under a self-imposed

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