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One Sunday afternoon a few weeks ago some friends invited my wife and me to go to a flea-market-sort-of-thing with them. I didn't really want to go until they told me there would be books. There were–and records, too. Part of the market seemed to be someone's estate sale, and it was interesting and more
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I don't know, maybe you had to be there. I suspect this album and this band don't have a great many fans who didn't experience their music when it was new in the late '60s. The album is as good a candidate as any that's appeared in this series to meet with enthusiasm from absolutely
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The November-December issue of Touchstone contains an article on Charles Williams's novel Many Dimensions. I dislike reading about books I haven't read but which I intend or at least hope to read. With a lot of classics that's almost impossible, because so much has been written about them. But Williams is relatively obscure, and I've read and
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I’ve been trying for months to decide which of three consecutive Neil Young albums to review: Everybody Knows This Is Nowhere (1969), After the Gold Rush (1970), and Harvest (1972). I give up so I’m going to talk about all three. I’ve never owned any of these three records. For a time, they weren’t on
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Tonight I'm bringing in a guest speaker: Ryszard Legutko, author of The Demon In Democracy, which I've just read and which I think is a very important book. Off and on for a few years now I've published the occasional post categorized as "What Is Actually Happening." The tag refers to a remark by the late
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This is a classic, another of the albums that I figured I would work into this series. I had thought I would just write a couple of paragraphs and see what I could find on YouTube to show the best of the album. And then I thought Wait, didn't you write something about Judee Sill
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Last week I spent a couple of days in Athens, Alabama, for the dedication of a statue of my grandfather, Judge James E. Horton. He was the judge in one episode of the long-running and shameful Scottsboro Boys case: a notable episode, because he set aside a jury verdict which he believed to be a
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I'd been thinking since this series began that I would include at least one ambient album, just in the interests of making the scope very broad. I had in mind a few favorites as possibilities, and I finally started thinking about my choice a few weeks ago when Rob G gave us a techno album.
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I finally got Stalker from Netflix and watched it over a couple of nights last week. I'm sorry to say that I was disappointed. And that's not just a formula: I really am sorry, and I was, specifically, disappointed, because I had really wanted and expected to like it. Though I don't know where I got the
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By the time this record came out in 1984 synth-driven pop had begun to dominate the music scene, and while there was a fair amount of guitar-oriented stuff circling under the mainstream radar, generally speaking you didn’t get to hear much of it unless you actively looked for it. I can’t remember exactly what prompted
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Light On Dark Water 