Please note that some of these will tell you more about the movie than you may want to hear if you haven't seen it, but plan to, and prefer, like me, to have as little prior knowledge as possible. Be careful of the comments on some of them, as they sometimes give away more details than the reviews do.
Steven Greydanus at the National Catholic Register. He likes it, and there are a few things in the review that go a long way toward explaining my difference of opinion. For instance, he liked the siege of Miraz's castle in Prince Caspian. I thought it was terrible. It shouldn't have been there in the first place, and in execution it was just another long special-effects battle scene full of unbelievable feats. These scenes are supposed to be exciting but they just bore me. I'll mention one thing that serves as an emblem of all that's wrong with these movies, something that should never even have occurred to a screenwriter: Lucy using her martial arts skills against the Calormene slave traders.
David Downing at Ignatius Insight. He shares some of my reservations but comes down more favorably than I did.
Here's a secular reviewer at Film Journal. I include it just as an indicator of the way critics with no apparent interest in the book viewed it. And here's Roger Ebert, seeming to be pretty bored with it while giving it a basically positive review. His synopsis has some things seriously out of place, which makes me wonder if he was really paying attention.
It appears that one's reaction is likely to be heavily influenced by whether or not one likes the Big Loud Fast Movie, full of special effects. For me, such movies can be enjoyable as lightweight entertainment, but I can't take them seriously. They don't make me feel anything deeper than passing excitement that fades as soon as the movie ends, or leave me thinking about anything substantial. And when they try to do something serious, it just doesn't work–it's like a troupe of jugglers and acrobats performing Macbeth.
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