Paul Fussell: The Boys’ Crusade

Sunday Night Journal — July 17, 2011

I know Paul Fussell’s The Great War and Modern Memory by reputation, but have never read it. When it was published in the 1970s, it was immediately considered an important book, and seems to have retained that status ever since, as I run across references to it from time to time. I’ve had it in the category of Important Books I’ll Read Someday for a long time. But it’s a lengthy work, and hasn’t made it to the top of my list. A couple of weeks ago I was in the library looking for something else and noticed this little book, which looked like it might serve as a good sample of Fussell’s writing on war. Be that as it may, it is certainly a worthwhile book in its own right.

Subtitled The American Army in Northwestern Europe, 1944-1945, it’s a broad overview of the Anglo-American campaign in Europe from D-Day to the end of the war. The two nouns in the title are carefully chosen, and the book’s thesis is a justification of that choice: a large number of the soldiers were in fact boys, and the campaign did, in the end, justify the designation of “crusade”—to which one must add “in spite of,” and much of the book is an enumeration of the many, many items that must follow those three words.

It is a record first of slaughter produced by mistakes, bad judgment, and sheer folly. At this point in the war experienced and well-trained troops were in short supply, and replacements (not “reinforcements,” the author notes) were sent into combat with little conception of what was facing them or how to face it, and often they died, sometimes horribly, before they had even engaged in anything that could reasonably be called combat, in the sense of a conscious and two-sided struggle. They were put into almost certain-death situations by the sometimes thoughtless and sometimes culpably stupid decisions of their commanding officers. Fussell is unsparing. He does not pretend that the campaign could have been waged without terrible loss of life, and he does not rant, but one senses a controlled anger in his account of incidents where troops were ordered to do things which were either impossible or pointless or both. It is one thing to give one’s life in a meaningful act of heroism, quite another to be herded blindly into a slaughterhouse, dispatched, and discarded. I thought over and over again while reading this book of Siegfried Sassoon’s line: The hell where youth and laughter go.

Fussell knows exactly what he is talking about. He “landed in France in 1944 as a twenty-year-old second lieutenant” (from his Wikipedia biography), and was wounded in action (similar to my father’s experience except that my father was not quite twenty when he entered the war near its end in 1945).

Like a lot of boys who grew up in the aftermath of the Second World War, I had a somewhat romantic view of it, reinforced by the sentimental and sanitized portrayal of it in movies and TV. In my teens and after, I read enough about it to begin to understand that the life of an infantryman was more often squalid and full of terror than noble or heroic. But still the idea of “the good war,” as Studs Terkel called it, persisted to some degree, as I think it does for many Americans. This is only one of a number of books—another is Eugene Sledge’s With the Old Breed—that strips away any hint of romance about the actual waging of the war. It isn’t only the experiences of the men on the ground that make the romance untenable, and it isn’t only the very visible wrongs of the deliberate bombing of cities by both sides. It’s the hell that caught up everyone involved, including civilians who were not targeted but just happened to be in the way. Did you know, for instance, that D-Day was preceded by massive bombing of areas in France far away from the intended landing site, solely for the purpose of deceiving the Germans?

How and why, then, does Fussell use the word “crusade,” and use it without irony, to describe this nightmare? I’ll let him explain:

As the war ignominiously petered out, the troops knew more about the enemy than they had known when, early on, they had sneered or giggled at the word crusade. They had seen and smelled the death camps, and now they were able to realize that all along they had been engaged in something more than a mere negative destruction of German military power. They had been fighting and suffering for something positive, the sacredness of life itself.

Hardly any boy infantryman started his career as a moralist, but after the camps, a moral attitude was rampant and there was no disagreement on the main point…. Major Richard Winters said after seeing the corpses at the camp at Landsberg: “Now I know why I am here.”

Officers and men agreed on this one thing.

Chesterton, describing the determination of Rome to destroy Carthage, asserts that beyond the ordinary commercial and imperial rivalries of the two powers there was a deep repugnance on the part of Rome toward the Carthaginian practice of child sacrifice. Whether or not this was true, Chesterton’s point is that there are abominations so intolerable, exceeding so far the bounds of ordinary human wickedness, that they simply must be resisted and destroyed. Nazi Germany was one such, Fussell seems to be saying. He does not suggest that the end justified the means, and that it rendered acceptable the wrongs and follies of the Allies. He says—if I understand him—only that the Nazis had to be stopped. That so much in the Allies’ conduct of the war was hardly consistent with the principle of “the sacredness of life itself” does not mean that the two sides were morally equivalent. It is one thing to fail to honor that principle in one’s actions; it is another to deny it altogether, and to act on that denial.

There was no desirable choice in this situation, only less and more undesirable. What remained of decency —that simple word that contains so much—in Euro-American civilization could either let Nazism have its way or go to war against it. This is the tragic view of history, the view that I for one would much prefer not to hold, but which seems to me the only one for which there is any evidence, so far as the things of this world are concerned.

BoysCrusade

12 responses to “Paul Fussell: The Boys’ Crusade

  1. Funny you mention this…I read The Great War and Modern Memory last month after having had it on my list for years. I found it thoroughly engrossing and one of those rare nonfiction works that’s difficult to put down.
    FYI, there is now an illustrated edition available, which is the one I have.

  2. So I guess I’m going to have to make time for it eventually. As you know, but others may not, Fussell was a literary scholar and author of a standard work on prosody, Poetic Meter and Poetic Form, before he ventured into this broad socio-literary sort of thing. My point being: he writes well.

  3. Francesca

    I will have to put it on my list, which is tending toward an infinite length

  4. I remember you saying something very similar a while back about the necessity of stopping the Nazis being something one feels at a deep instinctive level.
    I realized after I made my last comment that it was a mite silly to imply that because Fussell is a scholar he must write well. But still, he is, and does.

  5. Alas, not even literary scholars write especially well! (But perhaps historians are better? – There is, after all, a muse of history, but not of criticism.)

  6. Literary scholars in fact sometimes write dreadfully, and I don’t know why I suggested otherwise. I’m thinking of a few literary bios I’ve read that were deadly dull. And then of course there’s post-modernism…

  7. Francesca

    I read Michael Burleigh’s ‘Moral Combat; a year or so ago – a truly gruesome read. It describes WWII also. It depicts immoral slaying on both sides. But it opens by describing the German onslaught in Poland and further East. This sets the scene. He isn’t just saying, ‘the Allies were retaliating’. He is setting the context.

  8. Francesca

    I mean, Burleight’s bk sounds analogous to Fussell’s

  9. Yes, Burleigh’s a good writer too. I read his book on the Third Reich last year, and even though he goes into rather exhausting detail, he manages to keep it all quite interesting.

  10. There’s line somewhere between consequentialism and a foolish moral equivalency. I don’t know if I’ll ever read Burleigh, although his work sounds interesting, because in a sense one book like this is enough–in the sense that one really does need to have the sentimental/romantic veneer removed, and one clear picture will do that. I’ll never forget either Fussell’s or Sledge’s book. For that matter, I haven’t forgotten a few stories that Bill Mauldin tells in his classic Up Front, which is a collection of the cartoons he did for the armed forces newspaper during the war.

  11. this great adventure“, as Montgomery had it.

  12. Montgomery comes in for some pretty scathing criticism in Fussell’s book. He also says that there was a lot more friction between the British and American commands than was admitted at the time (of course that would be kept hidden), and that it prolonged the war. At any rate, it sure didn’t look like such a great adventure to the guys on the ground.

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