Señor (Tales of Yankee Power)

A few days ago, apropos of Dylan's receiving the Nobel, I asked my Facebook acquaintances to name a Dylan song that they considered neglected and/or underrated. Artur Sebastian Rosman (link is to his Patheos blog) nominated this song. I had only heard it a few times and not given it much attention, but I listened to it again and was very impressed. It's definitely a gem, and at least as far as I know merits the "neglected and/or underrated" classification. It seems especially appropriate to what's going on in this country now. 

Señor, señor, let’s disconnect these cables
Overturn these tables
This place don’t make sense to me no more
Can you tell me what we’re waiting for, señor? 

The full lyric can be read here. The song appears on the Street Legal album, which overall is definitely one of Dylan's lesser efforts, though it also has at least one other great song, "Changing of the Guard." Dylan's original did not show up when I looked on YouTube, but I like this version by Willie Nelson and Calexico better anyway. 

Calexico is a great band in its own right, by the way. 

Also by the way, regarding the question with which the song opens–"Lincoln County Road or Armageddon?"–it seems likely that Dylan intended an association with the Lincoln County War


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6 responses to “Señor (Tales of Yankee Power)”

  1. Excellent! Thanks for sharing!

  2. You’re welcome. I was happy to discover a song I wasn’t really familiar with that turned out to be great.
    One person nominated, instead of a song, the whole Planet Waves album. Kinda dubious that I’ll have the same experience there, if I ever give it a try.

  3. I like Senor, and a few other songs on Street Legal. But Im unrepentent!

  4. Ha. At first I didn’t know what you meant, then I remembered there were two people who voted for Planet Waves. I guess I was so shocked by the first that the second didn’t sink in. 🙂
    Anyway, don’t worry, I’m not judgmental.
    Well, not too.

  5. This is one of the rare cases where there is a cover version that I prefer to Dylan’s original. Tim O’Brien.

  6. That’s good, though I like the Willie Nelson/Calexico one better. The arrangement on Street Legal is sort of dull (at best).

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